Dining
room
This
large room originally stood on the left of the glass gallery on the
ground floor which connected the main lobby to the garden. It was
preceded by the kitchen, which extended up to the inside court. The
decoration is characterized by a strong polychrome probably base of
blue, orange, and green on a beige background, consisting of floral
motifs and draperies stencilled. Columns, covered with staff,
concealed the supporting structures of the building. The upper part
of the walls, lined with wood paneling typically Art Deco motifs,
included decorative panels with paintings of remarkable sites in
Britanny.
View of the dining room (private collection) |
Actual view of one of the paintings ( "Vitré") of the dining room (service of heritage city of Dinard) |
Piece of stencil painting from a corridor |
The
floor consisted of a coating of vitrified red cement and it still can
be seen in the buiding corridors. One of the side effect of this
coating, even though very aesthetic, is its soundness and it’s lack
of heat. Thus it necessitated the presence of heaters under tables as
it is shown on photographs taken at the time of the opening.
Electric
lighting was provided by the lamps in a shape of a ring put on the
numerous columns. The installation of chandeliers was not possible
due to the lack of any structure in the ceilings. The same type of
lamp was set at regular intervals between each window and each door.
Electric lamp in Louis XVI style, probably made of plated silver,
were placed on the tables. This was made to soften the harsh light
from all the other light sources. The use of red or pink pleated silk
lamp shades brought a note a bit outdated but very "British"
in such a modern surrounding.
View of the dining room (service of heritage city of de Dinard) |
The
furniture was typical of most of the luxury hotels of the time. The
bentwood chairs, in a mahogany color, came from “Fischel & son”
(model 196 .1 / 2 Catalog Fischel). This company also provided other
models of chairs for the hotel, especially those for the bar covered
in brown moleskin with studded edge. Serving tables were used to
divide the dining room into different areas.
Chair from Fischel&Son model 196.1/2 from the dining room (private collection) |
Silverware
designed by Christofle were used, especially a model called "Berain"
with a shell motif, along with a flatware model called "Vulcan".
This model was created in 1926 by Luc Lanel for the SS "Ile de
France" of the Cie Générale Transatlantique (known as French
Line). The plates were made of white china and had on the edge a
golden monogram "GH" for "Gallic Hotel" on a blue
background with a surrounding of golden pearl.
Wine coasters, in silver plated metal designed by Christofle company (private collection) |
Vegetable dish in silver plated metal designed by Christofle company (private collection) |
Cutlery in silver plated metal designed by Christofle company called "bérain" (private collection) |
China plate with the monogram of the hotel (private collection) |
Round dish in silver plated metal designed by Christofle comapny called "Vulcain" (private collection) |
The
design in its whole was more related to the aesthetics of the late
teens and the first part of the twenties. Such floral design in
bright colors was not without recalling the decoration of frescoes of
the ancient Babylonian palace and the Oriental costumes of the
Diaguilev’s Russian Ballets that had so much impressed the time
before WW1.
In
1927, when the hotel opened, this type of decoration has had its
climaxs in 1925 at the Exhibition of Decorative Arts in Paris,
exhibition that counted Marcel Oudin among its contributors.
It
contrasted in any case with the modern exterior of the hotel and the
design of the main lobby announcing the next decorative period where
some form of “nakedness” banning color and encouraging shape,
that would later become the rule.
The
cuisine of the "Gallic Hotel" would, during its first
season, become one of the most famous in Dinard and gained a star in
the 1935 edition of the Michelin guide. But at that time, the hotels
remained enclosed places where guests stayed for a long period of
time living a way of life that was similar to that of a private
residence. And thus the habit of dinning out at hotel restaurant was
very scarce.
Because
of the success that had the table during its first summer season,
according to local newspapers, getting a table at the "Gallic
Hotel" is worth a long wait, during winter of 1927-1928, the
dining room is completed with a rotunda used as a restaurant. The
construction of the latter will lead to significant changes in the
ground floor.
The
facade will be retained. And the dining room, whose doors once opened
on a terrace, now opened directly in the restaurant inside the
rotunda. The light was brought inside the building by two levels of
glass tiered roof on the rotunda and then through large windows above
the doors of the old facade now inside the building.
The
restaurant area thus played the role of a sort of winter garden or a
large bow window opened to the sea added to the dining room. The
dining room, then retained its "formal" character with its
rich decor and the restaurant, probably without any particular décor,
because of its many windows, would have a more "outdoor"
atmosphere. The old pictures also show that some of the tables in the
restaurant could even have been set up outside under the awning of
the rotunda, which undoubtedly explains the beautiful tile floor
which is still there.
Tile floor of the rotunda |
The
construction of the rotunda is probably not only related to the
gastronomic success of the cuisine at the hotel as written by
contemporaries. It also marks a change in the seaside lifestyle. In
fact, until WWI, seaside lifestyle was a transposition of
aristocratic and bourgeois lifestyles in cities or castles that was
mostly cast inside. The sea and the beach were then only considered
as a landscape to be contemplated without any or very few contact
with them. In the 1920’s, a new lifestyle appeared, turned towards
the beach, which became its location. This is the birth of an outdoor
life we still have today. The restaurant in the rotunda at the
"Gallic Hotel" seems to fulfill this need.
Covers of the menus of the Gallic hôtel designed by Louis Icart (private collection) |
Bill for a meal at the restaurant located in the rotonda in july 1929 (private collection) |
Menu of a banquet at the Gallic hotel on the 15th septembre 1927 (private collection) |
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